This first tag is made using a blending tool for the background (preserves); drying it thoroughly (because distress inks work great for grabbing onto the mica); brushing on the PP (pearl, plum and violet); brushing off the excess PP and finally setting the PP by misting the air and wafting the tag through the mist.
The purple tag is done the same way, but I went for a tone-on-tone effect. I stamped the background with versamark; pounced on violet PP; brushed off the excess mica and set it with a mist of water. The edges were inked in either distress (left side) or versa and then pearl PP was brushed over the edge.
The second tag (on the bottom of the right) came about because I now had PP on my background stamp. When I went to clean the stamp with spritzes of water, I reconsidered and decided to stamp with it first-so I again blended Mahogany distress all over the background of another tag; stamped the wet stamp onto the tag and dried it with my heat tool. Not as sparkly, but I love the bleach look.
The stamp was still full of mixture so I misted it with water and stamped it on a tag that had been blended with honey (and photo on the edges). For good measure, I swiped the tag through the mess on the sheet before I dried it for some extra glitz.
I still had lots of mixture on my sheet, so I blended denim and stormy sky on a tag, dipped a brush into the mixture and flicked the mixture onto the tag. There was still stuff left, but I was done with gold so I just wiped it away.
The next tag had a thin colorwash background from peeled paint. It was dried thoroughly and then I stamped the image with moss and then brushed on kiwi PP over parts of the image. After brushing off the excess, I sprayed it with water to encourage the moss to run out from under the pearl. I want to play with this technique some more - I am not real excited with the look. I am thinking to use more color contrast between the ink and PP to achieve a more exciting look.